With a hat-tip to EQ, while we're on the subject of this blog's icons, Blake Lewis performed some of his new songs at LA Pride. I'm pleased to say that, though the instrumental of "Please Don't Stop" does sound dance/spiky electronica-influenced, it sounds like the overall product is much more pop than I thought independent Blake would go.
I can't really judge the song without hearing that backing in higher quality, but this does up the (to be fair, already very favorable despite concerns) odds of me getting the album, due out in October. My fears have not all been allayed, though.
(There's another song, "Rapture Of Love," here; h/t to Yuri. More of a ballad, and less interesting to my ears.)
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Thursday, June 25, 2009
I think I wanna stay single, maybe we're better apart
You can never know for sure how you're going to react to a song. I mean, yes, I would have probably predicted that the Backstreet Boys doing a song kind of like Chris Brown's "Forever" would win me over, but given that when the buzz around the Claude Kelly-penned "Bye Bye Love" started--up-tempo, possible single contender--I had hopes of a Backstreet song like "The Call" or "Get Another Boyfriend" (admittedly probably misplaced hope, but they're the songs I think of when I think of backstreet doing full-on uptempo well), the considerably gentler actual result could have felt like a let down. The lyrics may reject an old lover looking to restart the relationship--"see, I don't want a girl that only wanna comeback 'cause some other man broke her heart"--but the vocal melody and delivery is much more casual, less pressing and insistent; the song doesn't turn its rejection into a musical attack.

The point of all this is that "Bye Bye Love" doesn't have the attention-grabbing advantage of storming the pop barricades with all guns blazing, even if it does live up to the up-tempo promise in its "Forever"-reminiscent synths. As a result, on the first play, over poor speakers, I thought it was good but wouldn't have any sort of sticking quality.
I didn't know the way it would have me half-hopping, half-dancing around the kitchen a few minutes later, happily jumping from foot to foot and hip to hip as I listened to it for the second time. Or mumble-singing the chorus while doing summer cleaning a few listens later. Or returning to again and again.
A song like "Masquerade" has more presence, maybe calls out for attention more, but "Bye Bye Love" has me continuing to marvel how the group that hasn't made more than a handful of worthy songs over the past two albums seems to getting it right on more songs out of the candidates leaked in advance of their upcoming album than altogether over the last eight years.
Wednesday, June 24, 2009
Ashlee Simpson : The Glamour Artist





Ashlee Nicole Wentz (born October 3, 1984 as Ashley Nicole Simpson) is an American pop rock singer-songwriter, and actress. Simpson-Wentz, who is the younger sister of pop singer Jessica Simpson, rose to prominence in mid-2004 through the success of her number-one debut album Autobiography and the accompanying reality series The Ashlee Simpson Show. Simpson received widespread criticism when she used a pre-recorded vocal track on Saturday Night Live in October 2004. Following a North American concert tour and a film appearance, Simpson released a second number-one album, I Am Me, in October 2005. Her third album, Bittersweet World, was released in April 2008. The following month, she married musician Pete Wentz and announced that they were expecting a child. On November 20, 2008, Simpson-Wentz gave birth to their son, Bronx Mowgli Wentz.She was recently cast as Violet Foster, a small town girl in The CWs revamping of the 90's drama Melrose Place. (wikipedia)
Monday, June 22, 2009
Get up and listen

The single cover is, um, unforgettable. I do like the color palette, at least.
Friday, June 19, 2009
Thursday, June 18, 2009
Tuesday, June 16, 2009
Anastacia, the Hot Artist Pictures
Monday, June 15, 2009
Angel Aquino



Tuesday, June 9, 2009
Dealing with the mainstream

There's a probably undeserved sense of self-satisfaction that comes from loving a song not fully embraced by others (whether "others" is the general public or a much smaller segment of the people you usually interact with) and then seeing that song's artist fully bloom in a way that consolidates your original belief in that first song while also creating the perception that they're only getting better. That really awkward opening is my way of leading into the fact that Tinchy Stryder's new single is fantastic summery pop. "Take Me Back," his Taio Cruz-featuring breakthrough single taken from his upcoming album Catch 22, deservedly went to #1 in the UK, but I didn't see it get too much blog love (even I was guilty of not writing about it here, though I praise it elsewhere).
Follow-up single "Number 1" was even better, with a perfect pop chorus--in fact, perfect pop everything, even though Tinchy's more hip-hop (grime?) style gave the song a welcome additional flavor.
I couldn't tell you yet whether Tinchy's latest single, "Never Leave You," featuring Amelle of the Sugababes, is better than "Number 1," but it's certainly yet another fantastic song with a sound that is both exactly the sort of thing that should be in the charts in 2009 and yet is totally refreshing. Tinchy's kept the strings around and, if it's possible, its chorus is even poppier than that of "Number 1." Breezy, poppy, summery, lovey-dovey pop-meets-hip-hop? Yes, please.
Alyssa Milano, Profile and Photo's

Full Name : Alyssa Jayne Milano
Birth of Date : December 19, 1972
Birth of Place : Brooklyn, New York, U.S.
Occupation : Actress, singer, producer
Alyssa Jayne Milano, she was born December 19, 1972. She is an American actress and former singer. Her acting career began after she appeared in the Broadway show Annie. Alyssa Milano is the daughter of Italian-American parents Lin, a fashion designer, and Tom, a film music editor. Alyssa was born in a working class neighborhood in Brooklyn and grew up in a modest house on Staten Island. One day, her babysitter, who was an aspiring dancer, dragged Alyssa along to a an open audtion for the first national tour of Annie. But it was Alyssa, not the sitter, who beat out 1,500 other wanna be stage actresses to snag a role.
see more picture from alyssa milano above :




So leaving me behind was your first step
I LOVE the final single version of Frankmusik's "Confusion Girl." It's the perfect balance between Vince's quirkier side and the more mainstream intermediate version of the song we heard, with an end result of a fully charming pop song that's the best version of this track we've heard. The single is out July 12 in the UK.
On the Frankmusik front, a new song, "Dancing In The Dark," is streaming on his MySpace, along with previews of the remix version of Vince's album.
The lead single from Ola's new album is called "Sky's The Limit" and will be premiered via a performance on June 22 and released that same day, I think. It's written by KeiOne, Json, and Ola, which does make me a bit nervous--that could mean it's a step closer towards R&B, while I tend to prefer Ola as a vehicle for the pure pop songs of Tony Nilsson and Bassflow. Still, ideally it could mean Ola releasing something that stirs up more excitement about him (though in terms of chart success pop seems a surer bet than pop-&B in Sweden); plus, he's definitely spent time with Tony and Peter "Bassflow" Boström, so maybe we could get a great mix. I do love Adam Tensta's "80s Baby," KeiOne-produced hip-hop meets pop with just the right combination of hardness and breeziness; I'm just worried about how Ola's voice will match with this sort of music as well as quality overall.
Speaking of Peter Boström, he's just done a remix--or, as it's more accurately being called, a remake--of Mando Diao's "Gloria." I'm not going to put it up there with his best work on, say, Martin Stenmarck's singles, but listen to it 20 minutes into the 10-10:30 block here.
Since the sporadic nature of my recent posts meant I never did a fully rundown on the American Idol finale, I'd like to add that I am happy for Kris, not angry with the result (and hoping I'll end up wanting to buy his album--no one's going to agree with me and it's probably best for his commercial viability that he doesn't, but I'd love him to be singing songs like Ryan Cabrera's best work), but I stand by my earlier comment that I'm "hoping Adam ends up being the best popstar America has" (maybe you could qualify that with "male popstar," given the real lack of competition on that front--I'm not talking just about music, though obviously that's important, but all-out exciting popstarness--but even that caveat is probably unneccesary) "Kiss & Tell," which #1 Hits From Another Planet posted a few months ago, still gets frequent plays from me--I want Adam to make the glam rock which suits him so perfectly and which the U.S. could really use a dose of, but I also want him continuing down an electro-pop route like that of this old demo song, too.
On the Frankmusik front, a new song, "Dancing In The Dark," is streaming on his MySpace, along with previews of the remix version of Vince's album.
The lead single from Ola's new album is called "Sky's The Limit" and will be premiered via a performance on June 22 and released that same day, I think. It's written by KeiOne, Json, and Ola, which does make me a bit nervous--that could mean it's a step closer towards R&B, while I tend to prefer Ola as a vehicle for the pure pop songs of Tony Nilsson and Bassflow. Still, ideally it could mean Ola releasing something that stirs up more excitement about him (though in terms of chart success pop seems a surer bet than pop-&B in Sweden); plus, he's definitely spent time with Tony and Peter "Bassflow" Boström, so maybe we could get a great mix. I do love Adam Tensta's "80s Baby," KeiOne-produced hip-hop meets pop with just the right combination of hardness and breeziness; I'm just worried about how Ola's voice will match with this sort of music as well as quality overall.
Speaking of Peter Boström, he's just done a remix--or, as it's more accurately being called, a remake--of Mando Diao's "Gloria." I'm not going to put it up there with his best work on, say, Martin Stenmarck's singles, but listen to it 20 minutes into the 10-10:30 block here.
Since the sporadic nature of my recent posts meant I never did a fully rundown on the American Idol finale, I'd like to add that I am happy for Kris, not angry with the result (and hoping I'll end up wanting to buy his album--no one's going to agree with me and it's probably best for his commercial viability that he doesn't, but I'd love him to be singing songs like Ryan Cabrera's best work), but I stand by my earlier comment that I'm "hoping Adam ends up being the best popstar America has" (maybe you could qualify that with "male popstar," given the real lack of competition on that front--I'm not talking just about music, though obviously that's important, but all-out exciting popstarness--but even that caveat is probably unneccesary) "Kiss & Tell," which #1 Hits From Another Planet posted a few months ago, still gets frequent plays from me--I want Adam to make the glam rock which suits him so perfectly and which the U.S. could really use a dose of, but I also want him continuing down an electro-pop route like that of this old demo song, too.
Thursday, June 4, 2009
The Sexy Artist and Model of Ana Beatriz Barros

Full Name : Ana Beatriz Barros
Date of birth : 29 May 1982
Place of birth : Itabira, Minas Gerais, Brazil
Height : 5 ft 11.5 in (1.82 m)
Hair color : Light brown
Eye color : Blue
Measurements ; 34.5-24.5-34.5 (US); 88-62-88 (EU)
Weight 57 kg : (130 lb; 9.0 st)
Dress size : 34 (EU), 2 (US)
Shoe size : 40 (EU), 9 (US)
See more picture above :




Amy Winehouse : The Fenomenal Artist Photo's




I would love to know how Amy Winehouse was allowed to get a dirty great love bite on her neck during a prison visit.The singer emerged from seeing husband Blake Fielder-Civil in jail looking like she’d had a tussle with a vampire. If they can get close enough to suck blood, what extra little gifts could they be sharing.
Amy Jade Winehouse, she was born 14 September 1983. She is an English singer and songwriter, known for her eclectic mix of various musical genres including R&B, soul, jazz, rock & roll, and ska. Winehouse is best known for her soulful, powerful contralto vocals.
Amy Jade Winehouse, she was born 14 September 1983. She is an English singer and songwriter, known for her eclectic mix of various musical genres including R&B, soul, jazz, rock & roll, and ska. Winehouse is best known for her soulful, powerful contralto vocals.
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