
"The Fall" is my slight favorite of the group and evidence that in Pixie we may have a new source of quintessential British pop...even if it does take Danes behind the scenes. Written by Jonas Jeberg, Mich "Cutfather" Hansen, Ruth-Anne Cunningham, and Pixie, it's playful pure pop--and by that I don't mean '90's sounding pop, electro-pop, '60's styled pop, or anything other than just pop--that skips along, cute as can be, while Pixie sings some pretty good lyrics about the end of a relationship. I've been humming "turn it up, turn it up for the people that say/we're movin' on and we'll be OK" since first hearing it.
"Boys And Girls" and "Mama Do" have a little bit more of that '60's influence, but it's been diluted; even if it hadn't been, though, Pixie's clear voice, even when she tries to deepen and fuzz it up here, gives the songs a decidedly more contemporary pop flavor. "Boys And Girls" is another catchy mid-to-up-tempo song, while "Mama Do," written by Phil Thornally and Mads Hauge, goes for a more dramatic mid-tempo approach, full of elongated words and "oh oh oh"s, and is the song where that '60's style is most played up; if Pixie's other songs are a bit too youthful for you, "Mama Do" is still one to check out--it's the one you can most imagine one of the female neo-'60's soul British singers performing and requires her to do smoky sass rather than pep.
All in all, they add up to a mainstream friendly sound, one which, with luck, the label backing that's apparently there, and the songs from the great songwriters she's working with* will see Pixie doing well for herself before the year is out. Hopefully the album is the great solid pop album it could be.
*Some of these songwriters are (though obviously not all of them will end up on the album):
-The Underdogs (Jordin Sparks and Chris Brown's "No Air," Stacie Orrico's "More To Life")
-Tim James and Antonina Armato (Hoku's "Another Dumbe Blonde," Aly & AJ's "Potential Breakup Song," Miley Cyrus's "See You Again" and "Fly On The Wall")
-Cutfather and Jonas Jeberg (where to begin? Separately or together, The Saturdays' "If This Is Love," Jordin Sparks's "One Step At A Time," Christine Milton's "Superstar," and many more)
-Brian Kennedy (Chris Brown's "Forever," Rihanna's "Disturbia," Jennifer Hudson's "If This Isn't Love," Jesse McCartney's "It's Over")
-Greg Kurstin (Lily Allen's new album, Kylie Minogue's "Wow," All Saints' "Rock Steady," Britney Spears's "Rock Me In," Sophie Ellis-Bextor's "Catch You")
-RedOne (Darin's "Step Up," Lady GaGa's "Just Dance," and--well, you all know him by now)
-Steve Kipner (Christina Aguilera's "Genie In A Bottle," 98 Degrees' "The Hardest Thing," The Script's "The Man Who Can't Be Moved" and "Breakeven," and, umm, Natasha Bedingfield's "I Wanna Have Your Babies")
-Toby Gad (Fergie's "Big Girls Don't Cry" and Beyoncé's "If I Were A Boy" [ugh], but much better includes Sita's "Happy" and the Veronicas' "Untouched")
-Arnthor Birgisson (I think--Pixie referred to an "Anthor" once and my guess is she meant Arnthor Birgisson, another "where to begin?" writer; Samantha Mumba's "Gotta Tell You," Shayne Ward's "If That's OK With You," Jennifer Lopez's "Play")
-Evan "Kidd" Bogart (Rihanna's "S.O.S.",Heidi Montag's "Body Language," Blake Lewis's "Surrender," Brandy's "Right Here (Departed), Sean Kingston's "Take You There")
-Karen Poole (and another "where to begin?"; Jamelia's "Beware Of The Dog," Kylie's "Wow," Will Young's "Switch It On" and "Let It Go," Groove Armada's "Song 4 Mutya (Out Of Control)")
-Stuart Chrichton and Tommy Lee (Jamelia's "Beware Of The Dog," D-Side's "Pushin' Me Out" [just Chrichton], DJ Ella's "Shine Like A Superstar," Delta's "In This Life")
-Kara DioGuardi (too much to mention--Hilary Duff's "Come Clean," Kylie's "Spinning Around," Kelly Clarkson's "Walk Away," Paris Hilton's "Screwed," Enrique Iglesias's "Escape" and "Don't Turn Off The Lights," loads of Ashlee Simpson songs are just a few)
-Phil Thornally and Mads Hauge (done-by-many-people-but-eventually Natalie Imbruglia's "Torn")
-Teddy Riley (of New Jack Swing and Blackstreet fame)
It's no exaggeration to say that's an impressive line-up; she's obviously a big project and priority for her label.
There's nowhere to buy Pixie's songs yet, but you can visit her MySpace here.
Next up: that German song, maybe, or a British b-side that's a few years old.
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